In a town with out a name, in a heavy down pour, though cast his own shadow through the back stage door... like a trip to the past, that day in the rain, that one guitar , made his whole life change....
In a town with out a name, in a heavy down pour, though cast his own shadow through the back stage door... like a trip to the past, that day in the rain, that one guitar , made his whole life change....
i've been trying for years to find soul asylum's cover of that song...apparently it was on the UK pressing of _Clam Dips and Other Delights_ but i've yet to find a copy.
i've been trying for years to find soul asylum's cover of that song...apparently it was on the UK pressing of _Clam Dips and Other Delights_ but i've yet to find a copy.
i've been trying for years to find soul asylum's cover of that song...apparently it was on the UK pressing of _Clam Dips and Other Delights_ but i've yet to find a copy.
SA played the warehouse we used to haunt in Emeryville back in 85. It was cool to watch them get zapped the whole set by the ungrounded mics. They were champs.
maybe my ears are fried from too much sound, but @ 192 variable bit rate, i can't tell a difference. there's an ABX plug-in for foobar which i should try if i get the time to test it properly, but the fact is that i've got all my crap already ripped to mp3, so the chances of me repeating what took over a year to do is miniscule.
however, if i had to do it over again (ie, had the computer i have now, and the squeezebox audio streamer), i would rip to FLAC.
FYI: If you are *seeing* Pixies while *listening* to the radio you really need to check the labels on your cholesterol meds carefully. Somebody might have slipped up and given you a prescription for lsd instead. It's a minor mistake, happens all the time.
I can't recall the article, it was forever ago, I think it was in Mix magazine, but it had something to do with the jaggedness, or "sawtooth" of the frequencies produced by digital sound. Higher bandwidth digital sound still has this, yet at a much less perceptible amount. The jaggedness has an unconcious psycho-acoustic effect, and is overall less pleasureable to listen to than analog recordings. Analog has a much smoother wave.
Or something along those lines. All I know is I still love the way my LP's and tapes sound.
FYI: If you are *seeing* Pixies while *listening* to the radio you really need to check the labels on your cholesterol meds carefully. Somebody might have slipped up and given you a prescription for lsd instead. It's a minor mistake, happens all the time.
I can't recall the article, it was forever ago, I think it was in Mix magazine, but it had something to do with the jaggedness, or "sawtooth" of the frequencies produced by digital sound. Higher bandwidth digital sound still has this, yet at a much less perceptible amount. The jaggedness has an unconcious psycho-acoustic effect, and is overall less pleasureable to listen to than analog recordings. Analog has a much smoother wave.
Or something along those lines. All I know is I still love the way my LP's and tapes sound.
there's no doubt that a digital waveform will have discrete bits like you describe, unlike the smooth waveform of an analog device. however, it's diminishing returns as you bump up the sample rate; 44.1kHz should be pretty hard to tell a difference to most people.
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