When I'm told I am allowed. I was asked to do a few bike articles first, and then go back to the photo stuff. There will be plenty to come moving forward.
The 70-200 is nowhere near a bazooka and easy to get used to after a little use. The Sigma 200-500 f/2.8 does qualify as a bazooka though...Man, i tried messing around with "The Bazooka" (Canon 70-200MM f/2.8)last night.... WOW....
i would have to learn how to shoot with it that thing is on the heavy Side... Monopod here i come!
The weight actually helps to steady the camera while shooting. You don't really need a mono for this lens...Man, i tried messing around with "The Bazooka" (Canon 70-200MM f/2.8)last night.... WOW....
i would have to learn how to shoot with it that thing is on the heavy Side... Monopod here i come!
:biggrin:if anyone really needs a monopod for any 70-200 then i'd say you should first invest in a gym membership. i suggest the gym of "dont be such a pussy"- they are open 25 hours a day, 8 days a week.
that thing is an old turd. shutter speeds have to be too long. plus it's only like an f/12980... overpriced slow glass.FYI, i may be picking up this lens next month:
I can shoot the US open from my Manhattan NYC apartment...
holy sh!t
that is so awesome and might be something need a monopod for! said it wasn't AF though...kinda weak for $55k. : )Might as well go with a 5200 f14...
SWEET LENS IMAGE HERE
Got a link to the Matti photo? don't think I have seen that.I just saw the Sam Hill photo and the comments on it. I'd like to see a photo of the setup needed to take a picture of that quality. Basically someone taking a picture of you taking a picture of that quality.
I saw a picture of Mark Weir??? recently on a shot? I remember a dozens? of flashes all mounted on a tripods. I'll never get to that level don't wish to but I certainly can appreciate those shots. Matti on the Honda? with the village and the mountains dusk in the background from camera courage years back still a bench mark.
I've had the NG photo book may need to read it several times to get it.
I think he talking about the histogram in PS. Bascially they are so drak there is no information there. Usuallu blacks are best between 29-39 and whites about 230-238 or so. The info pallette rules. Try blending mode go and duplicate the layer select screen and brush out what you dont want to brighten, may help. Remeber the opacity on that layer also!whats 'clipped'
Avid Codes.... Basically, you can bring down the levers really close to the Bars and still not be braking... it's great for Brake pump and brae locking.... Works great for me.... but i'm slow... so....my only beef with the first one has more to do with the two hand fulls of brakes being grabbed
No worries bro... i know i suck... lolme too... me too. no hate meant. just saying- that's my beef with the shot, the content- not the delivery.
I have a ton of PowerEx AAs that are the best batteries I've used by far. They also make some in a C cell: http://www.mahaenergy.com/store/Index.aspThe only test will be Batteries... does someone know any solutions for Rechargeable batteries, i will use this for outdoor sports. This uses C Batteries..
or taking a pedal in the head by pushing out the tape under a stepdown transfer at one of the fastest spots on the schladming world cup course. and thus requiring emergency surgery on site and a medivac helicopter ride off the hill ... think of the difference between electronic focus and human focus ... sometimes better choice of position and different lens will yield infinitely better results. and a longer, more fun-filled day.flash etiquette would be a good subject to cover in another installment... people do some stupid crap because maybe they just dont know any better.
I agree with you on this one... During the US open, at the rock garden there were several photographers in the middle of the trail, fighting for spots, and even shooting their flashes right at the face of the riders....improving technique is good and all. that should include safety for the shooters and riders. this isnt directed at anyone in this thread- i've just seen fools put flashes right in riders' line of sight, hanging over the tape with wide angle lenses hoping to get the shot, running across the track without looking uphill, draping synch cords across the track... people do some stupid crap because maybe they just dont know any better.
That was friggin' brutal. Who did it end up being anyways, just some random guy or anyone we know?or taking a pedal in the head by pushing out the tape under a stepdown transfer at one of the fastest spots on the schladming world cup course. and thus requiring emergency surgery on site and a medivac helicopter ride off the hill ... think of the difference between electronic focus and human focus ... sometimes better choice of position and different lens will yield infinitely better results. and a longer, more fun-filled day.
PS: WhiteRavenKS i thought you were on holiday? what gives?