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jstuhlman

jstuhlman

bagpipe wanker
Dec 3, 2009
16,716
13,063
Cackalacka du Nord
Pesqueeb said:
We have an expert in the house. Hey @jstuhlman, we get a critique on this?
Click to expand...
oooh...let's look.

i'm not so concerned about proportions and spatial sophistication here. this is all about emotion and expression not academic accuracy. this is the postmodern artworld, not some 1850s french salon exhibition.

clearly the artist loved epstein, as he lavished the majority of his time and effort on epstein's face. look at the lovingly rendered details. note how epstein looks directly out at the viewer, forging an emotional bond with us. note the kindness, the innocence in his eyes. clearly this is a man who was misunderstood, who was only giving needy young girls much needed financial support. see how calm he is, how he gently rests his hand on killary's elbow, even as he undergoes extreme physical duress. and as @Westy has cannily mentioned, note the way that his first two fingers are emphasized and extended, like christ giving a blessing. one could even infer a cross-like shape in the furrows of his brow. clearly, he is a martyr.

now look at killary. her face is a picture of rage, painted in starker tones without the subtly of epstein's features. he's captured that sadistic, animal-like quality that only those who drink the blood of children possess. look at the hatred in those eyes.

the cockroach clearly symbolizes the subterranean depths of the depravity of the clintons and their ilk; the cut camera cord their desire to have their illicit activities remain unseen and unmonitored.

orange is not just a jumpsuit color; it symbolizes the warmth and compassion of all of the innocent who have been persecuted; the blue of killary's pantsuit is obviously not that of a clear blue sky or a refreshing drink of water, but rather the icy coldness of the depths of her soul-see how it's tinged with streaks of white?
 
Pesqueeb

Pesqueeb

bicycle in airplane hangar
Feb 2, 2007
40,379
16,861
Riding the baggage carousel.
jstuhlman said:
oooh...let's look.

i'm not so concerned about proportions and spatial sophistication here. this is all about emotion and expression not academic accuracy. this is the postmodern artworld, not some 1850s french salon exhibition.

clearly the artist loved epstein, as he lavished the majority of his time and effort on epstein's face. look at the lovingly rendered details. note how epstein looks directly out at the viewer, forging an emotional bond with us. note the kindness, the innocence in his eyes. clearly this is a man who was misunderstood, who was only giving needy young girls much needed financial support. see how calm he is, how he gently rests his hand on killary's elbow, even as he undergoes extreme physical duress. and as @Westy has cannily mentioned, note the way that his first two fingers are emphasized and extended, like christ giving a blessing. one could even infer a cross-like shape in the furrows of his brow. clearly, he is a martyr.

now look at killary. her face is a picture of rage, painted in starker tones without the subtly of epstein's features. he's captured that sadistic, animal-like quality that only those who drink the blood of children possess. look at the hatred in those eyes.

the cockroach clearly symbolizes the subterranean depths of the depravity of the clintons and their ilk; the cut camera cord their desire to have their illicit activities remain unseen and unmonitored.

orange is not just a jumpsuit color; it symbolizes the warmth and compassion of all of the innocent who have been persecuted; the blue of killary's pantsuit is obviously not that of a clear blue sky or a refreshing drink of water, but rather the icy coldness of the depths of her soul-see how it's tinged with streaks of white?
Click to expand...
This is why we need the rep system back.
 
johnbryanpeters

johnbryanpeters

Hero
Sep 27, 2001
36,129
16,596
Making moss sad in New Haven, Vermont
jstuhlman said:
oooh...let's look.

i'm not so concerned about proportions and spatial sophistication here. this is all about emotion and expression not academic accuracy. this is the postmodern artworld, not some 1850s french salon exhibition.

clearly the artist loved epstein, as he lavished the majority of his time and effort on epstein's face. look at the lovingly rendered details. note how epstein looks directly out at the viewer, forging an emotional bond with us. note the kindness, the innocence in his eyes. clearly this is a man who was misunderstood, who was only giving needy young girls much needed financial support. see how calm he is, how he gently rests his hand on killary's elbow, even as he undergoes extreme physical duress. and as @Westy has cannily mentioned, note the way that his first two fingers are emphasized and extended, like christ giving a blessing. one could even infer a cross-like shape in the furrows of his brow. clearly, he is a martyr.

now look at killary. her face is a picture of rage, painted in starker tones without the subtly of epstein's features. he's captured that sadistic, animal-like quality that only those who drink the blood of children possess. look at the hatred in those eyes.

the cockroach clearly symbolizes the subterranean depths of the depravity of the clintons and their ilk; the cut camera cord their desire to have their illicit activities remain unseen and unmonitored.

orange is not just a jumpsuit color; it symbolizes the warmth and compassion of all of the innocent who have been persecuted; the blue of killary's pantsuit is obviously not that of a clear blue sky or a refreshing drink of water, but rather the icy coldness of the depths of her soul-see how it's tinged with streaks of white?
Click to expand...
Good lord, will you be able to regain your sanity when you retire?
 
4xBoy

4xBoy

Turbo Monkey
Jun 20, 2006
7,059
2,914
Minneapolis
jstuhlman said:
oooh...let's look.

i'm not so concerned about proportions and spatial sophistication here. this is all about emotion and expression not academic accuracy. this is the postmodern artworld, not some 1850s french salon exhibition.

clearly the artist loved epstein, as he lavished the majority of his time and effort on epstein's face. look at the lovingly rendered details. note how epstein looks directly out at the viewer, forging an emotional bond with us. note the kindness, the innocence in his eyes. clearly this is a man who was misunderstood, who was only giving needy young girls much needed financial support. see how calm he is, how he gently rests his hand on killary's elbow, even as he undergoes extreme physical duress. and as @Westy has cannily mentioned, note the way that his first two fingers are emphasized and extended, like christ giving a blessing. one could even infer a cross-like shape in the furrows of his brow. clearly, he is a martyr.

now look at killary. her face is a picture of rage, painted in starker tones without the subtly of epstein's features. he's captured that sadistic, animal-like quality that only those who drink the blood of children possess. look at the hatred in those eyes.

the cockroach clearly symbolizes the subterranean depths of the depravity of the clintons and their ilk; the cut camera cord their desire to have their illicit activities remain unseen and unmonitored.

orange is not just a jumpsuit color; it symbolizes the warmth and compassion of all of the innocent who have been persecuted; the blue of killary's pantsuit is obviously not that of a clear blue sky or a refreshing drink of water, but rather the icy coldness of the depths of her soul-see how it's tinged with streaks of white?
Click to expand...

 
jonKranked

jonKranked

Detective Dookie
Nov 10, 2005
86,082
24,610
media blackout
Westy said:
I'd say that information was cherry picked. There were days post cut off where right wing searches were on the list and there were day before the cutoff when more left wing searches were on the list. Need a larger sample size, say over a week or month to really make any conclusions.
Click to expand...
agreed, but something worth looking into more
 
Westy

Westy

the teste
Nov 22, 2002
54,500
20,298
Sleazattle
jstuhlman said:
oooh...let's look.

i'm not so concerned about proportions and spatial sophistication here. this is all about emotion and expression not academic accuracy. this is the postmodern artworld, not some 1850s french salon exhibition.

clearly the artist loved epstein, as he lavished the majority of his time and effort on epstein's face. look at the lovingly rendered details. note how epstein looks directly out at the viewer, forging an emotional bond with us. note the kindness, the innocence in his eyes. clearly this is a man who was misunderstood, who was only giving needy young girls much needed financial support. see how calm he is, how he gently rests his hand on killary's elbow, even as he undergoes extreme physical duress. and as @Westy has cannily mentioned, note the way that his first two fingers are emphasized and extended, like christ giving a blessing. one could even infer a cross-like shape in the furrows of his brow. clearly, he is a martyr.

now look at killary. her face is a picture of rage, painted in starker tones without the subtly of epstein's features. he's captured that sadistic, animal-like quality that only those who drink the blood of children possess. look at the hatred in those eyes.

the cockroach clearly symbolizes the subterranean depths of the depravity of the clintons and their ilk; the cut camera cord their desire to have their illicit activities remain unseen and unmonitored.

orange is not just a jumpsuit color; it symbolizes the warmth and compassion of all of the innocent who have been persecuted; the blue of killary's pantsuit is obviously not that of a clear blue sky or a refreshing drink of water, but rather the icy coldness of the depths of her soul-see how it's tinged with streaks of white?
Click to expand...

Can we get a critique of this one?

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