anal bead QC engineer?just applied for a job that i'm more or less qualified for, and am kinda interested in. we'll see.
A job that can't be automated, but can be outsourced to immigrants.anal bead QC engineer?
Ay yi yi! Dios mio papi!A job that can't be automated, but can be outsourced to immigrants.
Czech please. Based on what I've seen, you get better skills for a comparable price, if you head to Prague.Ay yi yi! Dios mio papi!
@StiHacka to the white courtesy phone......Czech please. Based on what I've seen, you get better skills for a comparable price, if you head to Prague.
How do you know how I've been feeling lately?@StiHacka to the white courtesy phone......
I'm considering the HS7 or 8 for a pair.Once again I stand by my claim that Yamaha is the best professional and consumer audio company. If you buy something from them or use their products. They will die trying to get your stuff to work. My mixing board had a USB Bus interface problem. It turns out that it wasn't their problem but Sony's problem. They engineered a fix and sent it to me for free. I now have bluetooth capabilities with my amp now too. Once I figure out how to set up the network I can remotely record to my home system with my Tascam unit via wifi over the internet. I also now have a optical interface with my amp now too. Viperware works flawlessly. Totally geeking out right now. It even has a tube amp preset in case I want to purposely sound like shit.
I use the 7's for my close in stuff. Zone A and the 8's for remote zone B stuff. If I can swing it I am going to go all 8's. The money you would have to pay for similar Clarity and response makes them both worth the cost. I live for accuracy. I use a scope in the studio when I record. I cheat I know. But my shit is perfect always. If you have a small console and control room go with 7's. Big open rooms require the 8's because they go to 11. I rarely ever have to break out the MDR-1's anymore unless I record vocals or piano which hopefully I won't have to do anymore...I'm considering the HS7 or 8 for a pair.
The only competition they have in my head, right now, is the ADAM7, but I'm not sure they are worth the cash for my home studio, and those ribbon tweeters. Genelec has a pair I'd consider, too, but money vs. skill starts getting out of alignment again.I use the 7's for my close in stuff. Zone A and the 8's for remote zone B stuff. If I can swing it I am going to go all 8's. The money you would have to pay for similar Clarity and response makes them both worth the cost. I live for accuracy. I use a scope in the studio when I record. I cheat I know. But my shit is perfect always. If you have a small console and control room go with 7's. Big open rooms require the 8's because they go to 11. I rarely ever have to break out the MDR-1's anymore unless I record vocals or piano which hopefully I won't have to do anymore...
Technically the ability to be outsourced does not require immigrants unless... Trump.A job that can't be automated, but can be outsourced to immigrants.