Going back to the movie itself...
Which is more acceptable to you... that Gibson appeased Jews or he changed it because of a focus group.Meanwhile, it was reported that Gibson has apparently cut a scene from the film that many Jewish leaders found offensive.
According to a close associate, Gibson has excised the passage in which the Jewish high priest Caiaphas demands Jesus' crucifixion and says, "His blood be on us and on our children."
"It didn't work in the focus screenings," the associate was quoted Wednesday in the online Drudge Report.
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This is very interesting because one of the common defenses of things in the film which might appear "antisemitic" has been that the film is merely depicting what is found in the gospels - nothing more, nothing less. That is a completely falsehood, of course, but that hasn't stopped anyone from using it. Now we hear that Gibson will deliberately excise something from the film that obviously and unquestionably occurs in one of the gospel accounts of Jesus' crucifixion. Now, it will be even more plain that his movie isn't simply a visual depiction of the events in the gospels; rather, it's a depiction of some of the events in the Gospels - the events that Mel Gibson wants to depict, based upon social, political, religious, and artistic considerations.
Any decision of what to include or exclude - not to mention of how all of the gaps in detail will be filled in - is an interpretative act. What we are getting is Mel Gibson's interpretation of the story of Jesus crucifixion. Unfortunately, as has always been the case with Passion Plays, people will get the idea that they are seeing it "as it was" - the raw, real story unencumbered without anyone's personal interpretation or personal agenda.
That's a serious problem because Mel Gibson's personal beliefs can become fused with people's perceptions of reality - art becomes reality, in a sense. People forget that what they have seen is a series of scenes pasted together - scenes that have been chosen over other scenes and other ways of depicting what occurred or what is believed to have occurred. Things are left out. Things are left in. Things are invented in order to make a transition from one scene to another. This is a movie, not reality.
But how many viewers will consciously realize that ...
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