he'd have got a crowd and more than $32 if he'd played Free Bird on a wal mart electric guitar and a battery powered amp.
yes.Does 'appreciating great music' make someone not average?
Went to see The Black-eyed Susans at the Harbourside in Fremantle with Partsy one night back a bit. Guy had his violin plugged into a big Marshall stack. Wallace H Christ he made that thing whinge that night, especially when he was belting it against head. Good night.yes.
and can you turn your violin amp a bit, i'm having trouble hearing it.
i dunno, i'm just an average person.So do great people appreciate average music better than the rest of us?
Right on could have been Madona (not saying she is good) in a dayglo wig and most people would not have stopped or put money in the case...Imagine that! During "rush" hour, people dont have time to stop and listen to a street musician.
Groundbreaking isnt it?
All music is repetitious. It's part of music. Every song has a main theme or melody that is repeated at least once throught the song... try and name one that doesn't.I remain unconvinced that a great deal of music in the classical canon deserves to be called great. A lot of it is stilted and repetitious and it's certainly overanalyzed.
this 'rush hour' you speak of doesn't stop the people waiting in line for lottery tickets or crap @ Au Bon Pain, does it?Imagine that! During "rush" hour, people dont have time to stop and listen to a street musician.
Groundbreaking isnt it?
i could introduce you a massive chunk of improvisational and noise where that premise doesn't hold at all.All music is repetitious. It's part of music. Every song has a main theme or melody that is repeated at least once throught the song... try and name one that doesn't.
Reality is that it is just really old pop music made for rich white people. Of course over a few centuries some of the best examples will float to the top and the poorer examples fade away.I remain unconvinced that a great deal of music in the classical canon deserves to be called great. A lot of it is stilted and repetitious and it's certainly overanalyzed.
The results were not surprising to me. I would like to see the experiment in cities all over the world.
You care what looks people give you for the music you have on? lthumbsdown:<snip>
That said... I listen to most types of rock before any classical. I just get too many weird looks while blairing Shostakovich, or Beethoven's 5th, or something of that sort while going down the road.
That's why it's called "noise" and not "music"...i could introduce you a massive chunk of improvisational and noise where that premise doesn't hold at all.
noise can be music.That's why it's called "noise" and not "music"...
tell that to coltrane, taylor, saunders, coleman, et al.jazz musicians need to learn that being technically unsound is not high art in and of itself
i'll be posting another link with more bach sonatas and partitas played by zehetmair later today.thewashingtonpost said:Bell decided to begin with "Chaconne" from Johann Sebastian Bach's Partita No. 2 in D Minor. Bell calls it "not just one of the greatest pieces of music ever written, but one of the greatest achievements of any man in history. It's a spiritually powerful piece, emotionally powerful, structurally perfect. Plus, it was written for a solo violin, so I won't be cheating with some half-assed version."
Bell didn't say it, but Bach's "Chaconne" is also considered one of the most difficult violin pieces to master. Many try; few succeed. It's exhaustingly long -- 14 minutes -- and consists entirely of a single, succinct musical progression repeated in dozens of variations to create a dauntingly complex architecture of sound. Composed around 1720, on the eve of the European Enlightenment, it is said to be a celebration of the breadth of human possibility.
If Bell's encomium to "Chaconne" seems overly effusive, consider this from the 19th-century composer Johannes Brahms, in a letter to Clara Schumann: "On one stave, for a small instrument, the man writes a whole world of the deepest thoughts and most powerful feelings. If I imagined that I could have created, even conceived the piece, I am quite certain that the excess of excitement and earth-shattering experience would have driven me out of my mind."
So, that's the piece Bell started with.
Sweet! Keep 'em coming.for those of you who read the article linked in the original post, the piece joshua bell started with was the bach chaconne, aka "partita #2 in d min bwv 1004", track 5 in this set of excellent recordings by thomas zehetmair:
http://download.yousendit.com/1BBBE4EA16E159F9
and from the article:
i'll be posting another link with more bach sonatas and partitas played by zehetmair later today.